A Rare Pony Express Artifact

A letter that took two years to reach its destination evokes the hazards of the Pony Express

Pony Express letter
Rare correspondence—carried by a vanished courier—is one of only "two pieces of what collectors call 'interrupted mail' from the Pony Express," says Postal Museum curator Daniel Piazza. National Postal Museum, SI

In 1860, an ill-fated Pony Express rider, whose name has been lost to history, was crossing the trackless wastes of Nevada when he vanished, likely killed by Indians. Two years later, in May 1862, the mail pouch from that doomed mission, still containing letters bound for the East, was recovered.

Today, only a few remnants from the contents of that saddlebag survive. Among them is an envelope—a rare artifact of the mid-19th-century’s legendary Pony Express mail service, founded 150 years ago. (The letter that was inside has long since disappeared.) The philatelic treasure will reside on long-term loan at the Smithsonian’s National Postal Museum (NPM). Recently, the envelope’s owner, William H. Gross, a passionate stamp collector since childhood, donated funds for a new 12,000-square-foot gallery at the museum, scheduled to open in 2012. The envelope will take pride of place in the new exhibition space. “There are only two pieces of what collectors call ‘interrupted mail’ from the Pony Express known to exist, and they were in that rider’s pouch,” says NPM curator Daniel Piazza.

The concept of expedited mail delivery by a relay of single riders on fast horses—a kind of grass-fueled FedEx—echoed the vision that won the West. Established in April 1860, the Pony Express failed to win a major contract from the federal government and was replaced by a stagecoach line after only 18 months. Yet its bravado has colored the mail service ever since.

The transcontinental delivery system was marvelous in its simplicity. Across 1,900 miles, at 186 stations between St. Joseph, Missouri, and Sacramento, California, fresh horses awaited carriers who rode at full gallop in 10- to 12-mile segments (judged to be the maximum distance that a good mount could maintain a speedy clip). At each station, the rider leapt off one horse and onto the next, then sped on. The tough, wiry horsemen covered up to 125 miles at a stretch—a punishing pace that commanded a then-substantial salary of $25 per week. William “Buffalo Bill” Cody and James “Wild Bill” Hickok boasted they had earned their spurs as young Express riders. “Or so they claimed,” says Piazza. (There is no evidence that either did so.)

The rare 1860 envelope attests that hard riding was not the most daunting aspect of the job. Routes passed through deserted, often forbidding, territory. A note scrawled on the front of the artifact alludes to its tragic backstory: “Recovered from a [sic] mail stolen by the Indians in 1860.” The nameless victim is thought to have been the only Pony Express rider killed, though a few station agents died when Indians attacked their outposts.

The letter at last reached its destination—a New York City business recorded only as Fred Probst & Co.—in August 1862. Says Piazza: “So much happened between when the letter was sent and when it arrived—Lincoln’s election, the secession crisis, the beginning of the Civil War.” (In March 1861, the Pony Express set a record for transcontinental delivery—7 days 17 hours—when riders carried Abraham Lincoln’s Inaugural Address to the West Coast.) The envelope bears an oval stamp that reads “The Central Overland California & Pikes Peak Express Company,” the enterprise that administered the Pony Express. It had disbanded nine months before, on October 26, 1861.

The envelope also bears a basic 10-cent stamp, which normally would have meant a two-month trip, as the letter traveled from San Francisco by ship down the West Coast, across the isthmus of Panama and by sea up the East Coast to New York City. The additional cost for Pony Express service—guaranteed to reach the East Coast in about 12 days—was $5 (roughly $133 in today’s currency) per half-ounce.

Ultimately, says Piazza, even the envelope’s stamp, with its image of George Washington, offers a history lesson. “Although the letter was delivered,” he says, “the 10-cent stamp was no longer valid. At the beginning of the [Civil] War, all existing postal stamps were demonetized so the Confederacy couldn’t use them.”

Owen Edwards is a freelance writer and author of the book Elegant Solutions

Bentley found "each snowflake is as different from its fellows as human beings are from each other."

Freeze Frame » Smithsonian Institute Archives
Lincoln's riverboat flotation system (model) called for inflatable side-hull bellows to buoy vessels that had run aground-thereby eliminating the need to unload cargo to free them.

Inventive Abe » Alfred Harrell
Balloon Jupiter had to land after 30 miles; its mail (here) was sent on by train.

Airmail Letter » National Postal Museum
Although owners prized their EV1s, the manufacturer did not relent.

Dead End » Jeff Tinsley/National Museum of American History, S.I.
James McNeill Whistler's palette, c. 1888-90.

Refined Palette » Mary Hoffmeier/Archives of American Art, Smithsonian Institution
Miss America's tiara, 1951

American Idol » Hugh Talman/National Museum of Natural History, Smithsonian Institution
Gemini 6 harmonica and bells, 1965

Christmas Cards » Mark Avino/National Air and Space Museum, S.I.
John Lennon's stamp album, c. 1950

John Lennon's First Album » Bill Lommel/National Postal Museum, SI
Paul Thek's piece pays homage to cruel losses sustained on a battlefield of the artist's imagining.

Casualty of War » Lee Stalsworth/Hirshhorn Museum and Sculpt ure Garden. Smithsonian Institution
Costume designer Charmaine Simmons conceived Jerry's foppish garb to be both "uncomfortable" and "unwearable."

The Shirt Off His Back » Jeff Tinsley/National Museum of American History
At 23.1 carats, the gem is one of the largest Burmese rubies in the world.

Romance And The Stone » Chip Clark/National Museum of Natural History, Smithsonian Institution
The Lindberghs piloted this tandem seat, single-engine aircraft, outfitted to Charles' specifications.

Sky Writer » National Air and Space Museum, S.I.
The fabled road (a c. 1955 postcard) stretched 2,448 miles.

Antique Road Show » National Museum of American History, Transportation Collection, Smithsonian Institution
The compass has a symbolic importance transcending its utility.

Useful Gadget » Kim Nielsen/Smithsonian Institution
[ 1942 Harley-Davidson ]
National Museum of American History

Wild Thing » Jeff Tinsley
Shoe-fitting fluoroscope, National Museum of American History.

Here's Looking at You, Kids » National Museum of American History, Smithsonian Institution
Helen Thomas' Press Passes
National Museum of American History

Grand Inquisitor » Larry Gates, National Museum of American History, SI
Autographed baseballs National Museum of American History

Power Balls » Eric Long, National Museum of American History, SI
Slave hire badges.
National Museum of American History

Cast in Bondage » Eric Long / Smithsonian Institution
The eye-catching cigarette packages in Johnson's collection served as advertisements as well as containers, testaments to legions of company artists. English Craven A's, American One-Elevens and Scottish Cuba Blends are from the first half of the 20th century.

Pack Rat » Virgil Johnson Collection, Archives Center, NMAH, SI
Variations on a theme: G.I. Joe became both a kung fu warrior and a fully outfitted firefighter.

Macho in Miniature » Hasbro, Inc.
The Smithsonian's Wurlitzer (its console above, with the Star-Spangled Banner) likely played the national anthem before movies.

It's a Wurlitzer » Eric Long/National Musuem of American History, SI
In Trippe's office in Manhattan's Chrysler Building, an antique globe held pride of place. The artifact, dating from the 1840s, was a family heirloom, bequeathed to Trippe by his father, an investment banker.

Sky King » Eric Long / NASM, SI
The five-pound, 45-inch wingspan Aero Vironment RQ-14A "Dragon Eye."

Under the Radar with Unmanned Aerial Vehicles » Eric Long / NASM
After Lincoln delivered the speech, the New York Times described the occasion as "solemn and imposing."

Gettysburg Address Displayed at Smithsonian » White House Historical Association
Gazing up at an amazingly lifelike 45-foot-long right whale, visitors to the new Sant Ocean Hall at the National Museum of Natural History (NMNH) may get the idea they are about to become the marine mammal's snack.

True to Form » Chip Clark
Channing (as Lorelei Lee, 1974) recalls taking her first bow in a dress encrusted with 40 pounds of bling: "I fell over forward and almost broke my teeth."

All that Glitters » Carol Channing Productions
The crystal skull sought by Harrison Ford as Indiana Jones in the latest silver-screen installment of the archaeologist’s over-the-top adventures is, of course, a movie prop—masquerading as an ancient artifact from pre-Columbian Central America

The Smithsonian's Crystal Skull » James Di Loreto/NMAH/SI
On the reverse, says Frankel, the eagle is depicted so realistically that its beak "seems almost dangerous."

Golden Grail » Tom Mulvaney/ NMAH, SI
Of course Berlin (1888-1989), who was born 120 years ago this month, had lots of reasons to love a piano: during a long and glittering career, he created such enduring classics as "Alexander's Ragtime Band," "White Christmas," "God Bless America," "Easter Parade" and "Puttin' on the Ritz."

Ivory Merchant » National Museum of American History, SI
When curator Christine Kreamer examined the ivories' vivid details, she knew instantly that "we had something unique." Franko Khoury/ National Museum of African Art, SI
Breuer drew inspiration for the B3 and the B5 from bicycle handlebars.

Breuer Chair, 1926 » Matt Flynn/ Cooper-Hewitt, National Design Museum
Just add water: the discovery of the low-maintenance critter, says marketing guru Pedott, was a "lucky accident."

Growth Industry » Joseph Enterprises, Inc.
Goodman played the clarinet even "during the commercial breaks of the World Series," according to one of his daughters.

Benny Goodman's Clarinet » Bettmann / Corbis
Young sat on a board that he'd attached, freeing up his hands. He "didn't put anything on that washboard without a purpose," says curator Gary Sturm.

Art and Soul » Bob Sapovits
In Mexico, the molinillo stirs passions as well as chocolate.

Kitchen Aid » National Museum of the American Indian, SI
Michael Dell may have assembled this Turbo PC.

Baby Dell » Harold Dorwin, SI
Earhart was equally at home in the air and on the pages of fashion magazines.Earhart was equally at home in the air and on the pages of fashion magazines.

The Flight Stuff » Mark Avino / NASM
Saul Steinberg promised, upon arrival in Washington, to "feel my way along and decide then what to do."

Doodle Dandy » Saul Steinberg / SAAM, SI
Sculptor Giacomo Balla's spiky botanicals testify to his role as "Futurism's lighthearted experimenter."

Flower Power » Hirshhorn Museum and Sculpture Garden
Cornell's 1946 construction, an homage to the ballerina Tamara Toumanova, incorporated feathers from her costumes.

Pas de Deux » The Joseph and Robert Cornell Memorial Foundation
A child's sled (c. 1900) is one of 77 artifacts on display for the opening of the Diker Pavilion of New York City's Heye Center.

Gathering Rosebuds » National Museum of the American Indian
For some Manhattan sybarites, the department store's 1982 bag spelled Christmas.

Sacks Appeal » Matt Flynn / Cooper-Hewitt Museum, S.I.
Danger was ever-present for Pony Express riders. This 1860 rider appears to have encroached on sacred burial grounds and is fleeing Indians. Library of Congress, LC-USZC4-2458
Rare correspondence—carried by a vanished courier—is one of only "two pieces of what collectors call 'interrupted mail' from the Pony Express," says Postal Museum curator Daniel Piazza. National Postal Museum, SI

Get the latest Travel & Culture stories in your inbox.