Amy Crawford

Amy Crawford

 

Amy Crawford is a Michigan-based freelance journalist writing about cities, science, the environment, art and education. A longtime Smithsonian contributor, her work also appears in CityLab and the Boston Globe.

Iznik tile, 16th  to 17th century, Syria or Turkey.  

An Astonishing, Rarely Seen Islamic Art Collection Goes on Display

At the oldest public art museum in the United States, miniatures, glassware and other intricately created works transport visitors around the world

The First Knot (with heart-shaped shield), Albrecht Dürer, woodcut, 1506-1507.

The Knotty Art of Printmaking

The ornate series of woodcuts that transformed an art form

Portrait of Adèle Papin Playing the Harp, oil on canvas, c. 1799. The 17-year-old sitter, the famously beautiful daughter of a prominent family, was later rumored to be Napoleon's mistress. 

How This Caribbean-Born Artist Became the Toast of 18th-Century France

A new exhibition in Massachusetts illuminates the success of Guillaume Lethière

Tiger, oil on canvas, 1912. The artist’s vibrant animal paintings were based on careful study, including hours spent observing big cats at the Berlin Zoo. 

This Artist Turned to Painting Animals in a Turbulent Historical Moment

The German Expressionist painter Franz Marc found a subject worth celebrating in the early 20th century

Cleopatra Adorning the Tomb of Mark Anthony, c. 1765, was one of Angelica Kauffman’s most popular works, reproduced not only in print but also on porcelain and furniture.

Pioneering Artist Angelica Kauffman Put Women at Center Stage

The history paintings of this great Neoclassical artist prove the wonderful benefits that inclusion can bring

This plate, depicting a banquet being prepared for Babur and his relatives, is one of 143 miniatures in a 1590 illustrated version of The Babur-nama.

Feast Your Eyes on the Stunning Islamic Art in This New Exhibition

A sumptuous new show in Los Angeles aims to leave museumgoers hungry for more

William Matthew Prior, a white abolitionist, painted both Nancy Lawson and her husband, William, as well as a few other African Americans. “Skin may differ, but affection dwells in white and black just the same,” he wrote.

These Portraits Made a Bold Statement in 19th-Century America

A new exhibition exploring artistic representation of Black subjects includes a work that subverted cultural expectations

One ancient graffiti artist carved this creature at the Philae temple complex—most likely a horse.

Archaeologists Are Using Modern Tools to Learn About Visitors to an Ancient Egyptian Temple

Pilgrims who left behind ancient graffiti are the subject of new research in the middle of the Nile

Paula Rego drew inspiration for her triptych Crivelli’s Garden (top) from a 1490s altarpiece, La Madonna della Rondine (above), by Carlo Crivelli. She said of her fanciful, figure-packed work: “The whole thing is full of stories, it’s just story after story after story.”

The Inspiration Behind a Monumental Display of Biblical Women

An artist conjures a whimsical new version of a magnificent 15th-century mural

Flowers, Italy, Joseph Stella, oil on canvas, circa 1930. The artist began painting flowers, he said, “to learn the secret of the vibration of their colors.”

Artist Joseph Stella Painted Nature in Vibrant Color

Cities weren’t the only subject that fascinated this acclaimed Futurist

Clarice Beckett painted Luna Park (1919) across the street from a Melbourne amusement park. "Her eye alighted on fleeting moments," says gallery director Jason Smith.

The Great Australian Modernist the World Almost Never Knew

A new exhibition shines a light on the stunning work of Clarice Beckett

Left, Girl with Bicycle, in the Coombe, Dublin, 1966. The Photo Museum Ireland says Hofer’s work from her Dublin visit captures Ireland at a cultural turning point. Right, Queensboro Bridge, New York, 1964. “Hofer wanted to get under the skin of a city, to picture the essential characteristics of a place and its people,” says exhibition co-curator April Watson.

Photographer Evelyn Hofer’s Timeless Portraits Get a Second Look

Taken a half-century ago, her images strike a contemporary pose

Three Great Abolitionists: A. Lincoln, F. Douglass, J. Brown, c. 1945. The onetime expressionist saw his stark new style as “not a change but a development.”

William H. Johnson’s Art Was for His People

The painter’s entire “Fighters for Freedom” series is now on view for the first time in more than 75 years

Vittore Carpaccio's Flight Into Egypt, c. 1515, depicts a scene from the Gospel of Matthew, in which Mary and Joseph flee the wrath of King Herod.

Carpaccio Created the Graphic Novels of the Renaissance

A new exhibition at the National Gallery of Art puts the spotlight on the seldom seen contemporary of Michelangelo

Lost by Eddy Kamuanga Ilunga, 2015. The acrylic and oil work is from a series on the Mangbetu people of Congo, whose distinctive traditions, such as skull-elongation, are on the brink of disappearing.

How Artist Eddy Kamuanga Ilunga Connects the Past and the Present

In bold, symbolic canvasses, the painter was inspired by a broken iPhone

Red, Green, and Blue Twisted Curves, 1979. The “spectator who looks at my work is part of the work itself,” Riley has said.

A New Exhibit Showcases the Mind-Bending Art of Bridget Riley

Six decades after she arrived on the scene, the British artist still makes waves

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How One Historian Located Liberia’s Elusive Founding Document

The piece of paper went missing for nearly 200 years, leaving some scholars to question whether it even existed

Mujer con gallo (Woman With Rooster), 1941.

What Made Mariano Rodríguez' Art Uniquely Cuban

A mid-century modernist and native son elevated ordinary Cuban life

Olive Trees With Yellow Sky and Sun, oil on canvas, 1889. Van Gogh painted several of his most famous works while at the asylum, including his Iris series and The Starry Night.

When van Gogh Spoke for the Trees

A new exhibition of lesser known works during a pivotal time sheds light on his budding genius

The Painter (Self-portrait at Work), oil on canvas, 1946. Gilot painted the self-portrait while she and Picasso were staying in Antibes, on the French Riviera.

Françoise Gilot Was More Than Picasso's Muse

The artist famously inspired the Cubist, but a new book shows that her own paintings deserve renown

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