Smithsonian Voices

From the Smithsonian Museums

Benny Andrews sits at a table with a microphone, cups, and a pitcher of water with a yellow, green, and blue abstract painting hanging behind him. He is wearing a black button down shirt and raising his hands while talking.

How Artist Benny Andrews and an Archival Assignment Inspired an HBCU Student

For an assignment created in the Archives of American Art's Teaching with Primary Sources Workshop, Professor Elizabeth Hamilton had students use archives of artists with connections to HBCUs

Photograph of Elizabeth Catlett sculpture Students Aspire with description (detail), 1978 / unidentified photographer. Elizabeth Catlett papers, 1957-1980. Archives of American Art, Smithsonian Institution.

Elizabeth Catlett and the (Black) Artist as Engineer

Portrait of Henry Ossawa Tanner with a palette, circa 1935 / unidentified photographer. Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937. Archives of American Art, Smithsonian Institution.

How a Photograph Solved an Art Mystery

Photograph of Alma Thomas at Whitney Museum of American Art exhibition opening (detail), 1972 / unidentified photographer. Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.

Alma's Stripes: How An Artist Found Abstraction in Her Work and Her Fashion

Lonnie Holley with artwork, ca. 1995 / unidentified photographer.Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2015, bulk 1991-2013. Archives of American Art, Smithsonian Institution

Lonnie Holley and the Geologies of Alabama

Bal Noir de Paris, between 1925 and 1970. Palmer C. Hayden papers, Archives of American Art, Smithsonian Institution.

Artists of the Harlem Renaissance

Alma Thomas, ca. 1958 / unidentified photographer. Alma Thomas papers, 1894-2000, bulk 1936-1982. Archives of American Art, Smithsonian Institution.

How Painter Alma Thomas Brought African American History to D.C. Public Schools

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