Smithsonian Voices

From the Smithsonian Museums

Detail of color screenshot of Judith Bernstein in front of one of her paintings wearing a black blouse and light-colored, chunky necklace holding her hand up in a fist as if making a point in conversation.

New Collections: Oral History

Ben Gillespie, the Arlene and Robert Kogod Secretarial Scholar for Oral History, reflects on four oral history interviews recently conducted for the Archives of American Art

Baseball cards with faces of artists superimposed on them fanned out on a desk above a blue box with text that reads ARTBALL, an image of a batter, catcher, and umpire, with a red circle that says set 1.

What If Major League Baseball Fielded a Team and the Players Were Duchamp, Calder, Marisol, O’Keeffe and Pollock?

LEFT: Grayscale photographic contact sheet with images of Connie Zehr and assistants constructing a work of art. RIGHT: Page from a wire-bound sketchbook with a sample square of liquid polyester and notes made in pencil.

New Collections: Connie Zehr Papers and Cherie Raciti Papers

Benny Andrews sits at a table with a microphone, cups, and a pitcher of water with a yellow, green, and blue abstract painting hanging behind him. He is wearing a black button down shirt and raising his hands while talking.

How Artist Benny Andrews and an Archival Assignment Inspired an HBCU Student

A man points to a video screen in a classroom with students seated in the foreground.

How a Survey Course Assignment Connected Students With Contemporary Artists

Watercolor image of mountain scene with a cloudless blue sky, trees and boulders in the foreground, and the artist’s stamp in the bottom left-hand corner.

Chiura Obata's American Landscape Art

Oil painting in dark brown tones, featuring a woman sitting in a chair wearing a dark dress and holding a young boy in a sailor suit.

Letters to Cecilia Beaux From Her Young Nephews Reveal Sweet Relationship

Detail of artwork with wayfinder symbol of family running with the word caution and machine stitching in various colors.

New Collections: Consuelo Jiménez Underwood

Photograph of Dorothy Liebes in her studio with staff, circa 1950s. Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.

The Dorothy Liebes Papers Shine in a Dark Pandemic Year

Jessica Esch, Totally, November 2020, 6 1/4

Treasure Trove: Archives as Inspiration

Fiber artist Barbara Lee Smith in her studio. Photo: Sam Selby

A Friendship Forged in the Archives

Exhibition announcement for Ron Davis exhibition at Nicholas Wilder Gallery, 1969. Ronald Davis papers, 1960-2017. Archives of American Art, Smithsonian Institution.

New Collections: Ronald Davis Papers

Martin Johnson Heade, Black-eared Fairy, ca. 1863-1864, oil on canvas, 12 1/4 x 10 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2006.89. Photography by Dwight Primiano.

Conversations Across Collections: Martin Johnson Heade’s Notebook on Hummingbirds

Vernita N'Cognita introducing gallerist Holly Solomon and curator Robert Costa with her famous line,

Nearly 1,000 Panels with 6,000 Artists: Highlights from the Artists Talk on Art Records

Poultney Bigelow. Sketch by Poultney Bigelow for Edith Weir (detail), 1884 April 18. Weir family papers. Archives of American Art, Smithsonian Institution.

A Hudson River School Legacy: The Weir Family Papers Now Fully Digitized

Photograph of Chiura Obata teaching a children's art class at Tanforan Art School, 1942 / unidentified photographer. Chiura Obata papers. Archives of American Art, Smithsonian Institution.

Acquisitions: Chiura Obata Papers

Howardena Pindell and Linda Freeman. Still from Interview with Howardena Pindell, 1991 January 14. Linda Freeman papers, 1971-2015. Archives of American Art, Smithsonian Institution. © Linda Freeman, L and S Video

Watching Howardena Pindell

Photograph of Elizabeth Catlett sculpture Students Aspire with description (detail), 1978 / unidentified photographer. Elizabeth Catlett papers, 1957-1980. Archives of American Art, Smithsonian Institution.

Elizabeth Catlett and the (Black) Artist as Engineer

Photograph of Val Laigo next to his mosaic in Dr. Jose Rizal Park, Seattle, Washington (detail), between 1988 and 1989 / unidentified photographer. Val Laigo papers, 1954-1998. Archives of American Art, Smithsonian Institution.

Val Laigo and the Mosaic of Filipino America

The artist Louise Jones, known as Ouizi, working on Adaptation Nocturne.

Interview with Muralist Louise Jones

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What Does a 1990s Supermodel's Swimsuit Calendar Tell Us About Archives?

New Collections: Oral History

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