Smithsonian Voices

From the Smithsonian Museums

Grayscale photograph of smiling woman dressed in a black top and pants with her right hand resting on her hip and her right hand next to her neck standing in front of an abstract painting on an easel.

New Collections: Nela Arias-Misson Papers

The papers of Cuban-born, modernist painter Nela Arias-Misson are now at the Archives of American Art

Exhibition announcement for Ron Davis exhibition at Nicholas Wilder Gallery, 1969. Ronald Davis papers, 1960-2017. Archives of American Art, Smithsonian Institution.

New Collections: Ronald Davis Papers

Details from LEFT: Oscar Bluemner, Self-Portrait, 1933, oil on panel, 19 3/4 x 14 3/4 in. Courtesy Crystal Bridges Museum of American Art, Bentonville, Arkansas. Photography by Edward C. Robison III. RIGHT: Oscar Bluemner. Oscar Bluemner. Notes for self-portrait from painting diary, 1933. Oscar Blumner papers, 1886-1939. Archives of American Art, Smithsonian Institution.

Conversations Across Collections: Oscar Bluemner in Color

Martin Johnson Heade, Black-eared Fairy, ca. 1863-1864, oil on canvas, 12 1/4 x 10 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2006.89. Photography by Dwight Primiano.

Conversations Across Collections: Martin Johnson Heade’s Notebook on Hummingbirds

Poultney Bigelow. Sketch by Poultney Bigelow for Edith Weir (detail), 1884 April 18. Weir family papers. Archives of American Art, Smithsonian Institution.

A Hudson River School Legacy: The Weir Family Papers Now Fully Digitized

Emilio Sanchez with children in Puerto Rico, 1964. Emilio Sanchez papers, 1922-2012. Archives of American Art, Smithsonian Institution.

How Painter Emilio Sanchez Used Travel Snapshots As Aesthetic Experimentation

Photograph of Charles Caryl Coleman's

Charles Caryl Coleman Rediscovered

Lee Hall, untitled watercolor, ca. 1980s (detail). Watercolor on paper, 6 ½ x 5 in. Lee Hall Papers, Archives of American Art, Smithsonian Institution.

Acquisitions: Lee Hall Papers

Portrait of the Tarbell family and their dogs, circa 1905, Edmund C. Tarbell papers, circa 1855-circa 2000, bulk 1885-1938. Archives of American Art, Smithsonian Institution.

Through Flood and Fire: Why Archives Preserve

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What Does a 1990s Supermodel's Swimsuit Calendar Tell Us About Archives?

New Collections: Oral History

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