Smithsonian Voices

From the Smithsonian Museums

Indigenous family surrounding Santa Claus

How Christmas Is Celebrated Across Indian Country

A unique look at how Native people spend their winter holiday season

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The Indigenous Effect: Native People in Film

Female Aztec dancer in motion.

Through the Indigenous Lens of Photographer Tomas 'Teko' Alejo

The quilted work Tears of Our Children, Tears for Our Children created by Susan Hudson (Diné/Navajo) depicts the effects of assimilation and boarding schools on the lives of Diné/Navajo children and adults.

Healing Soul Wounds: Grappling with the Indian Boarding School Era

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Robert Houle: Red Is Beautiful

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National Poetry Month: An Interview With Alaskan Poet Ishmael Angaluuk Hope

Rebecca Hill-Genia in the award-winning documentary

Films for Fans of All Kinds from the Museum’s Native Cinema Showcase 2020, This Year Screening Online

Visitors look at a large, cut-paper work by Ian Kuali’i (Native Hawaiian and Mescalero Apache), on view at the Red Bull House of Art Detroit. Kuali’i was a resident artist at the experimental, noncommercial arts organization in 2016. (Red Bull, courtesy of Ian Kuali’i)

From aspiring breakdancer to accomplished artist, Ian Kuali’i traces his path so far

From a Dance Performance on the Residential School Experience to a Symposium Celebrating Native Women's Art, Women’s History Month Matters at the National Museum of the American Indian

Ian Kuali'i with some of his cut-paper art, June 2019. (Courtesy of the artist)

Time-lapse video of artist Ian Kuali'i working on a paper-cut portrait

Winyan (Woman) Power: New Art by Kevin and Valerie Pourier Honors Women Who Stand Up for the Rights and Welfare of Others

Norma Baker–Flying Horse (third from left) with models wearing her Red Berry Woman designs. Paris Fashion Week, March 2019. (Ulla Couture Photography)

"A Lot of Our Traditional Clothing, We Had to Fight to Keep"—Fashion Designer Norma Baker–Flying Horse

Red dresses displayed along the river walk of the National Museum of the American Indian in Washington, D.C., represent the crisis of missing or murdered Indigenous women and girls. Conceived by Canadian artist Jaime Black (Métis),

The REDress Project on the National Mall Draws Attention to Life and Death Situations in Indian Country

Lyricist, musician, and dancer Christian Parrish Takes The Gun, aka Supaman. (Matika WIlbur)

"To Reach More, Serve More, Inspire More, and Just Live More"—Hip Hop Artist Supaman

Jazz performer and composer Delbert Anderson (Navajo). (Shutterfreek Photography)

"The Swing of the Navajo Heartbeat and the Improvisation of Navajo Chants"—Musician Delbert Anderson

"Never Underestimate the Power of Your Mind"—Artist Caroline Monnet

Michael Smith, founder and director of the American Indian Film Institute, at the 42nd annual American Indian Film Festival. November 2017, San Francisco. (Courtesy of the American Indian Film Festival)

Native Film Advocate Michael Smith (1951–2018)—An Appreciation

Ningiukulu Teevee, (Canadian [Cape Dorset], b. 1963),

Smithsonian in New York and the Embassy of Canada in Washington celebrate Arctic art

Native artists sharing experiences and their thoughts on design and inspiration. From left: Fashion and textile historian Regan Loggans, fashion designer Patricia Michaels, fashion designer Niio Perkins, fashion designer and multimedia artist Loren Aragon, artist and apparel designer Jared Yazzie, fashion model Jade Willoughby, and editorial hair stylist Amy Farid.

Makers + Mentors: Hands-on with leaders of Native fashion

Poet and spoken word artist Autumn White Eyes. (Angel White Eyes for Red Cloud School)

Writing as Cathartic Practice and with Intention toward the Audience: Autumn White Eyes on Poetry

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