Hirshhorn Museum and Sculpture Garden

The new designs call for the reopening of a long shuttered underground passageway that connects the garden to the museum plaza, as well as plans for a new area for large-scale contemporary works, performance spaces and intimate settings for the museum’s masterpiece collections.

Hirshhorn Sculpture Garden to Undergo First Redesign in More Than 40 Years

Hiroshi Sugimoto’s design provides easier access from the National Mall and space for larger installations

Pulse Tank by Rafael Lozano-Hemmer, 2008

This Art Show Is Taking the Literal Pulse of America

Artist Rafael Lozano-Hemmer uses biometrics to make breathtaking spectacle

Land Sea Sky by Sean Scully, 1999

Sean Scully’s Artworks Are a Study in Color, Horizon and Life’s Sorrows

With a return to the Hirshhorn following his 1995 retrospective, Scully presents his sublime <i>Landlines</i> series

The Box in a Valise/Boite en Valise (Series E) From or by Marcel Duchamp or Rose Sélavy by Marcel Duchamp, 1963

Hirshhorn Curator Explains the Significance of the Huge Marcel Duchamp Donation

Washington D.C. art lovers Aaron and Barbara Levine promise 50 important works to the museum

Interpreters of the artwork (above: four of the eight from left to right: Jahnel Daliya Slowikowski, Sadie Leigh, Briona Jackson, Lara Supan.) are “people that can hold space and have a connection” with the passersby, says the curator.

Don't Be Surprised if a Woman Sings to You in the Hirshhorn’s Sculpture Garden

The Smithsonian’s first purchase of a performance art piece is happening now, but the artist requests no photos, please

Adieu (Remix) by Georg Baselitz, 2006

The Topsy-Turvy Worldview of Georg Baselitz

Upside-down paintings are part of a 60-year survey of the German painter and sculptor, who makes a return to the Hirshhorn

Robert Indiana's Love (1967). The design has become a ubiquitous staple of contemporary Americana.

Archives Reveal Touching Stories on the Life of Robert Indiana, the Man Who Invented “LOVE”

Smithsonian curators reflect on the legacy of the iconic artist, following his death at age 89

An installation of Brand New SW in Washington D.C.'s L'Enfant Plaza.

Modern Takes on 80s Artwork Hit Washington D.C. Streets

The Hirshhorn Museum's public art project 'Brand New SW' reflects a resurgence of retro aesthetics in contemporary art

Homeless Vehicle, Variant 5 by Krzysztof Wodiczko, c. 1988, aluminum, fabric, wire cage and hardware

How an Exquisitely Designed Cart for Homeless People Inspired a Wave of Artists’ Activism

In the 1980s artist Krzysztof Wodiczko’s vehicle of change was also a weapon of social disruption

Calvin and Hobbes, the influential and popular comic strip by Bill Watterson about a boy and his stuffed tiger that ran in thousands of newspapers worldwide during its run from 1985-1995.

This Artist Deconstructed His Love and Fascination for <i>Calvin and Hobbes</i>

Tony Lewis finds a new way of writing poetry, through artistry, and his assemblage of cut-up dialog balloons from Bill Watterson’s much-loved comic strip

Many of the pieces in "Brand New" are simply decontextualized products and ads, like these works from Joan Wallace, (left) The Pool Ladder Painting No. 2, 2004, and Jeff Koons, New! New Too!, 1982.

Are You Buying What These Artists Are Selling?

The absurdity of American commercialism is laid bare in the Hirshhorn’s latest exhibition

Krzysztof Wodiczko; 1988-2000; C-print face-mounted to acrylic; Museum Purchase, 2000

A Powerful, Three-Story Video Installation Will Transform the Hirshhorn

The giant projection by Polish artist Krzysztof Wodiczko returns to the museum for the first time in 30 years

Spiral chairs pay homage to both the museum and the helicoid shape of DNA.

Hirshhorn's Redesigned Lobby Sheds New Light on a Classic Washington D.C. Building

The Japanese photographer Hiroshi Sugimoto, known for his pensive images, is taking on the role of architect and designer

January Happenings At the Smithsonian

Blow away winter blues with our recommended list of film, lectures, concerts and more

Mark Bradford's installation Pickett’s Charge at the Hirshhorn spans almost 400 feet and consists of eight canvases measuring 12 feet tall and more than 45 feet long.

Mark Bradford’s Paintings Scratch at the Surface of a Conflicted America

The Hirshhorn Museum hosts the artist’s first solo show in Washington

American Girl by Emma Amos, from the portfolio "Impressions: Our World, Volume I," 1974

Why Making a Portrait of a Black Woman Was a Form of Protest

For Emma Amos, an African-American artist working in the 1970s, the personal was often political

FIU Blackboards by Joseph Beuys,1977-1979, now on view at the Hirshhorn.

What a Pair of Empty Blackboards Can Teach Us About Art and Social Change

Can art alter the course of history? Should artists even try? Joseph Beuys said yes and yes

Kim Gordon

The Summer of Yoko Ono Ends with Shrieks and Screams

A concert, a broken vase and unfettered adoration for the avant-guard artist marks the Hirshhorn’s finale to its appreciation

The Ship of Tolerance, Zug by Ilya and Emilia Kabakov, 2016

This Former Soviet Art Duo Crafts Worlds of Whimsy and Delight

Miniature models, the wellspring of the celebrated large installations of Ilya and Emilia Kabakov, are at the Hirshhorn

The Hirshhorn purchased all four current installments of artist Ragnar Kjartansson’s ongoing video series Me and My Mother,” including any future installments.

Why the Artist Ragnar Kjartansson Asked his Mother to Spit On Him

The Icelandic performance piece <em>Me and My Mother</em> is latest Hirshhorn acquisition

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