Smithsonian Voices

From the Smithsonian Museums

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The Quapaw Treaty Was Honored for Only Six Years Before the United States Broke It

The document signed in 1818 serves as a reminder of the unfairness of the federal government's approach to negotiating with Native communities

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Connecting Community and Collections

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The Indigenous Effect: Native People in Film

The quilted work Tears of Our Children, Tears for Our Children created by Susan Hudson (Diné/Navajo) depicts the effects of assimilation and boarding schools on the lives of Diné/Navajo children and adults.

Healing Soul Wounds: Grappling with the Indian Boarding School Era

Cynthia and her husband Walter

Museum's New Director Dr. Cynthia Chavez Lamar Says Her Goal Is 'Listening, Being Respectful and Asking for Help'

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A Retro Look in the Archives Reveals Past Views on Language Derogatory to Native Americans

Jim Thorpe (Sac and Fox), with the inscription “To my little girl Grace From Dad Jim Thorpe 1951.” The photo, in the original folder frame, shows Thorpe during his career with the Canton Bulldogs football team, ca. 1915 to 1920. Grace Thorpe Collection, NMAI.AC.085 (pht_092_002). (National Museum of the American Indian Archives Center, Smithsonian)

Happy Birthday, Jim Thorpe! We're Celebrating by Making His Daughter's Archives More Accessible Online

Gabrielle Lee (Kanaka Maoli), the first Native Hawaiian cultural interpreter on the staff of the National Museum of the American Indian, in a small section of the New York Botanical Garden that features plants native to Hawai‘i. (Courtesy of Gabbi Lee)

Aloha Opens the Door to Learning

Ceramic olla purchased from Soledad Lala (Soboba Luiseño), Riverside, California, for the collections of the Museum of the American Indian, with a sketch by the collector, E. H. Davis. Olla: NMAI 7/1952. Drawing: Expedition Sketch Book, No. 2, November 1917. Edward H. Davis Papers, Huntington Free Library Collection 9166, Cornell University Library (National Museum of the American Indian, Smithsonian; sketch courtesy of the Cornell University Library)

Spotlight on Collections: Reuniting Objects and Expedition Field Notes

Maria Marable-Bunch, associate director for museum learning and programs of the National Museum of the American Indian, in the exhibition

"All the Fun Action Happens in the Galleries and Learning Centers of a Museum"—Maria Marable-Bunch

Coiled basket jar, ca. 1900, made by Mary Burkhead (Western Mono). Madera County, California. 16/5503. Through archival research, the museum now knows that a Western Mono woman named Mary Burkhead made this coiled basketry jar, information not listed on the catalog card. The research is part of a multiyear, multi-institutional project to recover information that was separated from, or perhaps never a part of, the museum's catalog records. (National Museum of the American Indian, Smithsonian. Note: Objects and catalog cards in these photo composites are not to scale.)

Spotlight on Collections: Expanding Both What We Know and What's Available Online

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Meet Montana’s Teacher of the Year: Kevin KickingWoman

The Long Path Toward Establishing Indigenous People's Day, a Day to Honor and Recognize the First Peoples of America

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