Roger Catlin

Roger Catlin

 

Washington, D.C. freelancer Roger Catlin has written about the arts for AARP The Magazine, The Washington Post and other outlets. He writes mostly about TV on his blog rogercatlin.com.

Untitled (Wash Day: Scrubbing the Clothes) by Clementine Hunter, ca. 1965

Self-Taught Artist Clementine Hunter Painted the Bold Hues of Southern Life

On view at NMAAHC, Hunter’s colorful artworks depict work in the field, church on Sundays, and laundry on the line

Traylor's works (above: Man with Yoke, detail) are drawing fans worldwide for their exuberant modern composition and design.

Bill Traylor Depicted His Brutal Lifetime With Vibrant Art

A new Smithsonian show, seven years in the making, takes a deep dive into the life of a self-taught artist and former slave

Land Sea Sky by Sean Scully, 1999

Sean Scully’s Artworks Are a Study in Color, Horizon and Life’s Sorrows

With a return to the Hirshhorn following his 1995 retrospective, Scully presents his sublime <i>Landlines</i> series

The Box in a Valise/Boite en Valise (Series E) From or by Marcel Duchamp or Rose Sélavy by Marcel Duchamp, 1963

Hirshhorn Curator Explains the Significance of the Huge Marcel Duchamp Donation

Washington D.C. art lovers Aaron and Barbara Levine promise 50 important works to the museum

Interpreters of the artwork (above: four of the eight from left to right: Jahnel Daliya Slowikowski, Sadie Leigh, Briona Jackson, Lara Supan.) are “people that can hold space and have a connection” with the passersby, says the curator.

Don't Be Surprised if a Woman Sings to You in the Hirshhorn’s Sculpture Garden

The Smithsonian’s first purchase of a performance art piece is happening now, but the artist requests no photos, please

Adieu (Remix) by Georg Baselitz, 2006

The Topsy-Turvy Worldview of Georg Baselitz

Upside-down paintings are part of a 60-year survey of the German painter and sculptor, who makes a return to the Hirshhorn

Prototype for a Nonfunctional Satellite (Design 4; Build 4), 2013, a mixed media installation at a hangar in Nevada by Trevor Paglen.

This Artist Dwells in the Clandestine World of Classified Secrets and Surveillance

MacArthur Award recipient Trevor Paglen is launching his own satellite into space this fall—as a work of art

Water throwing on Vardavar is a holiday unique to Armenia.

The Point of Armenia's Splashy Holiday Is Getting Wet

The ancient tradition of Vardavar attracts tourists to Armenia, but bring a change of clothes

Arev Armenian Dance Ensemble

How Armenian Dance Adapted Over Time and Place

Choreography, music and technique are on tap at a Folklife Festival Dance Summit

Once states voted, approval of what became the 18th Amendment came quickly, the Smithsonian's Peter Liebhold says. “I think some people were surprised how quickly that all came about.”

The Bitter Aftertaste of Prohibition in American History

Anti-immigration sentiment flavored that cocktail ban, historians say

“I knew I had to tell a story of the past,” says Don Flemons, the Grammy-winning co-founder of the Carolina Chocolate Drops.

Songster Dom Flemons Brings Back the Melodies of the Black Cowboy

The Latest from Folkways, a Label Marking 70 Years, revives music traditions from the African-American ranch crews of the West

Silhouettes of Sylvia Drake and Charity Bryant of Weybridge, Vermont, (c. 1805-1815) is possibly the first depiction of a same sex couple.

Rarely Seen 19th-Century Silhouette of a Same-Sex Couple Living Together Goes On View

A new show, featuring the paper cutouts, reveals unheralded early Americans, as well as contemporary artists working with this old art form

David Korins' striking design—involving a double turntable, a second level catwalk, scaffolding and ropes, calls to mind the ships that brought the Founding Fathers to America.

Hamilton's David Korins Explains What Makes the Smash Hit's Design So Versatile

The renowned designer dishes about the new Hamilton exhibition, precision and metaphor on stage and how the turntables almost didn’t happen

"The seemingly rigid frontiers that have come to define places like Africa and Asia," says the museum's director Gus Casely Hayford, "are in fact remarkably fluid, connected through the intersections of art, commerce and culture."

First Major Swahili Coast Art Show Reveals a Diverse World of Cultural Exchange and Influence

At the Smithsonian’s African Art Museum, international influences commingle to create a farrago of artisanal splendors

“And I persevered,” says curator Debra Diamond of her find that lead to new scholarship, at the the TV Critics Association winter press tour.

A Curator's College Find Is Revisited in the New PBS Showcase ‘Civilizations'

Debra Diamond's story, says the show's producer, exemplifies the 'joy of discovery' in a whole new way

U.S. President Ronald Reagan and Soviet leader Mikhail Gorbachev exchange pens during the signing ceremony for the Intermediate Range Nuclear Forces Treaty in the White House East Room on December 8, 1987.

Why “The Americans” Is Taking a Big Leap Forward to 1987

The beginning of the end of the Soviet Union provides great drama for the show’s final season

Donald Sutherland stars as John Paul Getty.

The True Story of “Trust,” Yet Another Interpretation of the Getty Kidnapping

Writers of the FX program have a much different spin than the recent movie on the same subject matter

Calvin and Hobbes, the influential and popular comic strip by Bill Watterson about a boy and his stuffed tiger that ran in thousands of newspapers worldwide during its run from 1985-1995.

This Artist Deconstructed His Love and Fascination for <i>Calvin and Hobbes</i>

Tony Lewis finds a new way of writing poetry, through artistry, and his assemblage of cut-up dialog balloons from Bill Watterson’s much-loved comic strip

A scene from Hulu's "The Looming Tower"

There’s Great Drama Within the Truths of “The Looming Tower”

How filmmaker Alex Gibney brought a documentarian’s eye to the story of the 9/11 attacks

Many of the pieces in "Brand New" are simply decontextualized products and ads, like these works from Joan Wallace, (left) The Pool Ladder Painting No. 2, 2004, and Jeff Koons, New! New Too!, 1982.

Are You Buying What These Artists Are Selling?

The absurdity of American commercialism is laid bare in the Hirshhorn’s latest exhibition

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