Curators' Corner

Pablo Picasso by Albert Eugene Gallatin, 1934

Commentary

Why It Takes a Great Rivalry to Produce Great Art

Smithsonian historian David Ward takes a look at a new book by Sebastian Smee on the contentious games artists play

Fuselage from Flight 93, Shanksville, Pennsylvania, September 11, 2001

Remembering 9/11, From a Scrawled Note to a Scrap of Fuselage

How objects both ordinary and extraordinary help us reflect on the devastation

The Williams Dreamland Theatre, Tulsa, OK, c. 1921

Your Questions About African-American History, Answered

A special edition of Ask Smithsonian on the occasion of the opening of a new Smithsonian museum

Breaking Ground

The Definitive Story of How the National Museum of African American History and Culture Came to Be

From courting Chuck Berry in Missouri to diving for a lost slave ship off Africa, the director's tale is a fascinating one

Karl Marx by John Collier, 1977

Commentary

Karl Marx, My Puppy ‘Max,’ Instagram and Me

A historian tries hard to understand modern society and buys a #cutepuppy

Jackie Joyner-Kersee by Gregory Heisler, 1988

Commentary

Why We Have to Play Catch-up Collecting the Portraits of Female Athletes

The Smithsonian's National Portrait Gallery is setting its sights on the future

Images are fast outpacing words as the major means of communication.

Commentary

How to Avoid the Pitfalls in the Politics of Graphic Messaging

The director of the National Portrait Gallery offers a few pointers on how to acquire visual intelligence

Walt Whitman (1819-1892)

Commentary

Should We Hate Poetry?

It was precisely because poetry wasn’t hated that Plato feared it, writes the Smithsonian’s senior historian David Ward, who loves poetry

Who will be the next Hamilton?

Which Great American Should Be Immortalized With the Next Big Broadway Musical?

<em>Hamilton</em> has caught the nation's attention. A panel of Smithsonian writers and curators suggest who's next.

By the “dawn’s early light,” Key saw the huge garrison flag, now on view at the National Museum of American History, waving above Fort McHenry and he realized that the Americans had survived the battle and stopped the enemy advance.

Commentary

Where’s the Debate on Francis Scott Key’s Slave-Holding Legacy?

During his lifetime, abolitionists ridiculed Key’s words, sneering that America was more like the “Land of the Free and Home of the Oppressed”

Ask Smithsonian

What's the Difference Between Invasive and Nonnative Species? Plus, More Questions From Our Readers

You asked, we answered

“I hope people of the future will look back on us and see that we learned the lessons of deep time,” says Smithsonian paleontologist Scott Wing.

Age of Humans

Studying the Climate of the Past Is Essential for Preparing for Today's Rapidly Changing Climate

A Smithsonian scientist explains why in the new Age of Humans, we must turn from crisis management to planet management

Dawn at the dock at Piscataway, with the many mast stays outlined by the morning light.

Nine Days of a Sailor-Scholar’s Life Aboard the Canoe Circumnavigating the Globe

A Smithsonian expert learns the hard-knock lessons of when to be quiet and how to take a poop

Learning Lab allows visitors to experiment, to manipulate, to play with the collections, to use them as the building blocks to create new things.

Commentary

Something Super Cool Just Turned Up in Your Digital Toolbox

The Smithsonian unveils a game-changing online tool designed to empower anyone to discover and use digital museum resources

One of the two balloons that will be used for tethered flights Saturday at the Udvar-Hazy Center was made especially for the museum and donated recently by Adams Balloons LLC.

A Recently Acquired Hot-Air Balloon Reminds a Smithsonian Curator of Another Tale of Ballooning Adventure

At the Udvar-Hazy Center this weekend, see the Smithsonian’s new modern hot-air balloon

Mrs. Walcott sketching a wild flower in water colors on a frosty morning in camp.

Smithsonian's Wildflower: The Illustrious Life of the Naturalist Who Chronicled America's Native Flora

The life and legacy of renowned Smithsonian illustrator Mary Vaux Walcott goes beyond the works that she created

These comical looking mollusks are common to the Caribbean. Their eyes poke out on stalks from inside large, pink, beautiful shells, and they move along one “step” at a time, with a lift and a flop, leaving tracks behind in the sand.

An Elegant Tool Called Squidpop That Scientists Want to Crowdsource

The device is so easy to use, researchers are asking for a “squidpop blitz” for World Oceans Day

Studying Bacon Has Led One Smithsonian Scholar to New Insights on the Daily Life of Enslaved African-Americans

At Camp Bacon, a thinking person’s antidote to excess, historians, filmmakers and chefs gather to pay homage to the hog and its culinary renown

Enlightened Hawaiian chiefs as far back as the 14th century instituted what is called the moku-ahupua‘a system of management throughout the islands.

Finding Lessons on Culture and Conservation at the End of the Road in Kauai

In the remote, tropical paradise called Ha‘ena, the community is reasserting Native Hawaiian stewardship of the land and sea

Portraits of Infamy by Roger Shimomura, 2016

Commentary

The Public Puts Great Trust in Museums, and Now It’s Time Museums Trust the Public

A new exhibition, curated by the community, debuts this weekend at the Smithsonian

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