Curators' Corner

The rose buds are the universal symbol for love and courage.

In Obama's Official Portrait the Flowers Are Cultivated From the Past

Kehinde Wiley’s painting is full of historical art references says Kim Sajet, the director of the National Portrait Gallery

Costume designer Ruth Carter says she found inspiration in the tradition and costume of African peoples. She thrilled over Ndebele neck rings, Suri face paint, and Zulu headgear and blankets and asked her crew to stay true to these traditions.

The New Director of the Smithsonian’s African Art Museum Reflects on the Look and Fashion of <em>Black Panther</em>

The blockbuster movie borrowed from multiple African peoples to create a unique Wakandan style

Parson Weems’ Fable by Grant Wood, depicting Parson Weems and his famous story of George Washington and the cherry tree.

Some Stories About George Washington Are Just Too Good to Be True

But there's a kernel of truth to many of them because Washington was a legend in his own time

The author Brett McNish and Fred Hay perch in a live oak on Sapelo island.

A Smithsonian Horticulturist Goes on a Quest for an Historic Seedling

A live oak tree from a South Georgia island community will one day enhance the grounds of the African American History Museum

Jim Martinson using his sit ski at Crystal Mountain Resort, Washington

Winter Olympics

The Unbreakable Spirit of American Paralympians Is Embodied in These Artifacts

Smithsonian’s Sports History collections honor the indomitable innovators of the Paralympic community

Rosie the Riveter by J. Howard Miller, 1942; Uncle Sam by J. M Flagg, 1917

Commentary

Rosie the Riveter and Uncle Sam: Two Portraits, Two Methods of Persuasion

Kim Sajet, director of the Portrait Gallery, says that while Uncle Sam orders, Rosie inspires collective action

Olympic Dreams by Neil Leifer, 1984

Winter Olympics

These Portraits Capture the Agony and Ecstasy of What It Means to Be an Olympian

From Sonja Henie to Shaun White, see these rare images from the collections of the National Portrait Gallery

Thomas Jefferson's two-volume personal copy of George Sale's 1734 translation of the Qur'an is now in the collections of the Library of Congress.

Why Thomas Jefferson Owned a Qur’an

Islam in America dates to the founding fathers, says Smithsonian’s religion curator Peter Manseau

Coffee Table by Wendell Castle, 1958

Wendell Castle, The Man Who Made Furniture Dance, Dead at 85

The haunting sculpture <em>Ghost Clock</em> is a favorite Smithsonian artwork and a powerful example of the artist’s skill and craft

An Italian marble sculpture of William Pitt the Younger as the Infant Hercules Strangling the Serpents Fox and North by Pieratoni (called ’Sposino’), c.1790

The Ugliest Sculpture Ever, Says the Portrait Gallery’s Director

A bizarre sculpture of a baby Hercules strangling two snakes set this art historian on a course of discovery

The comedy show Rowan & Martin's Laugh-In, starring Dan Rowan and Dick Martin (above), debuted on NBC on January 22, 1968.

In 1968, When Nixon Said 'Sock It To Me' on 'Laugh-In,' TV Was Never Quite the Same Again

The show's rollicking one-liners and bawdy routines paved the way for "Saturday Night Live" and other cutting-edge television satire

Google's latest app seems to think National Portrait Gallery director Kim Sajet has a lot in common with former First Lady Eleanor Roosevelt.

Future of Art

Here's My Problem With the Google Arts & Culture Face-Matching App

Kim Sajet, the director of the National Portrait Gallery, offers ideas to make it better

“Although it is a somewhat formidable trip, it is by no means impossible to get out to the Great Skellig, which is by far the most interesting island off the Irish coast.”

The True History of Luke Skywalker's Monastic Retreat

A Smithsonian Librarian delves into centuries of maps and manuscripts to discover ancient stories of this sacred place and sanctuary

Members of Puerto Rico's Concilio Taíno Guatu-Ma-cu a Boriken presented a dance ceremony to invite the public to recover the collective spirituality of their Native ancestors.

Puerto Rico

Bringing Taíno Peoples Back Into History

A traveling Smithsonian exhibition explores the legacy of Indigenous peoples in the Greater Antilles and their contemporary heritage movement

Mónico Márquez plays a Hohner button accordion with Venezuelan band Mestros del Joropo Oriental at the 2009 Smithsonian Folklife Festival.

The Remarkable Rebirth of the Button Accordion

Musician Gilberto Reyes redesigned the instrument to meet the needs of Latino musicians

Most of the T-shirts had in common the image that appeared on Juan Diego’s cloak: the Virgin modestly looking down, her hands folded together in prayer.

A New Way to Show Your Devotion in Mexico City: Wear a T-Shirt

A Smithsonian folklorist makes the pilgrimage to the Basilica of Our Lady of Guadalupe and discovers an emerging tradition

Graduate Fernando Yazzie after the ceremony at Navajo Technical University.

The Importance of Graduating in the Navajo Way

Education in traditional knowledge, as well as global issues, form the foundation of this Navajo Nation university

Ivan Chermayeff (June 6, 1932-December 2, 2017)

Commentary

Designer of the Smithsonian Sunburst Logo Dies

Ivan Chermayeff was a brilliant designer, a gifted artist and the purveyor of a unique visual language, says Smithsonian curator Ellen Lupton

From left to right: Toni L. Martin (Sephronia), Harriett D. Foy (Nina Simone), Felicia Curry (Sweet Thing) and Theresa Cunningham (Sarah) in Nina Simone: Four Women, running November 10-December 24, 2017 at Arena Stage at the Mead Center for American Theater.

Maverick Music Takes Center Stage in This New Play on Nina Simone

A Smithsonian expert delves into the song and struggle at the heart of 'Four Women' at D.C.'s Arena Stage

Theatergoers will find Coco to be a powerfully communicated story about the importance of family, community, a sense of belonging, tradition and remembrance.

Did Disney Pixar Get Day of the Dead Celebrations Right in Its Film 'Coco'?

Smithsonian folklorist Cynthia Vidaurri says: "It's complicated"

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