More than 70 artifacts, from an artificial heart to an Etch A Sketch, grace the entryway to the American History Museum's new innovation wing
Artist Jeremy Sutton painted on his iPad while musicians performed and visitors played virtual reality games at the Smithsonian American Art Museum
The broad and sometimes difficult history of business in the U.S., its rogues, heros, successes and failures, is the dynamic story in a new exhibition
Author Norton Juster says one boon to his magical writing is that he was born with synesthesia and hears colors
Scientific discoveries and faraway voyages inspired fantastic tales—and a new Smithsonian exhibition
A new exhibition explains why the everyday objects of today and the recent past are so important to understanding who we are
David Adjaye, architect of the National Museum of African American History and Culture, approaches building design as creating "fabric"
Smithsonian Journeys Travel Quarterly: Inca Road
For a new exhibition, a Smithsonian curator conducted oral histories with contemporary indigenous cultures to recover lost Inca traditions
The sounds, graphic art and the mestizo lifestyle that goes with the music is the latest revolt of the Peruvian masses
With magnificent hand carvings, artisans craft stories of celebration and tragedy into dried gourds—a tradition practiced for more than 4,000 years
The ancient technology used lightweight materials to create soaring 150-foot spans that could hold the weight of a marching army
The <I>National Geographic</i> photographer has been described as having the "mind of a scientist, the heart of a hunter, and the eyes of a poet"
Bold thinker Sebastian Thrun is receiving a Smithsonian Award this week, so he regaled us with some of his ideas for changing the world
In Filthy Lucre, a new installation at the Sackler Gallery, artist Darren Waterston deconstructs Whistler's masterpiece
The rarely seen, one-of-a-kind 1856 British Guiana One-Cent Magenta, which recently sold for a whopping $9.5 million, gets its public debut
Is it real or is it celebrity branding? A portrait exhibition of iconic celebs considers the question of who holds the upper hand—the artist or the star
In 1794, the Portuguese slave ship São José wrecked with 400 slaves aboard; iron ballast and a wooden pulley from that ship will come to Washington, D.C.
Dance troupe Pilobolus and video portrait artist Bo Gehring teamed up to defy boundaries
An exhibition of the artist's work at the Hirshhorn is an allegorical narrative framed against historical and political realities
A reexamination of the inventive artist, who blended American and Japanese traditions, brings rarely seen works from around the world to the Smithsonian
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