Smithsonian American Art Museum

The 10th installment of the Renwick Invitational, "Sharing Honors and Burdens," is on display at the Smithsonian American Art Museum’s Renwick Gallery. (Above: Memorial Beats by Lily Hope, 2021, thigh-spun merino and cedar bark with copper, headphones, and audio files, 16 × 4 × 10 in.)

Six Native Artists Share Their Honors and Burdens in This Year's Renwick Invitational

The emerging and established Native American and Alaska Native creators bring innovation to traditional art practices

Rhoda Goodridge in a 2 ¾-by-3 ¼-inch ambrotype made by her husband, the pioneering photographer Glenalvin Goodridge.

A Massive Archive Tells the Story of Early African American Photographers

Arresting portraits, now a part of the Smithsonian collections, illuminate the little-known role these artists played in chronicling 19th-century life

A brown-green vessel bearing the inscription, "A noble Jar for pork or beef / then carry it a round to the indian chief" made by the enslaved craftsman David "Dave" Drake, is now on view at the Smithsonian American Art Museum.

For the Enslaved Potter David Drake, His Literary Practice Was His Resistance

This 19th-century vessel, made to store meat, carries a powerful backstory of Drake's defiance of the laws of enslavement

Ihor Poshyvailo, director of the Maidan Museum in Kyiv and co-founder of Ukraine’s Heritage Emergency Response Initiative, along with his crew, salvages the remains of the Church of the Nativity of the Blessed Virgin Mary built in 1862 and shelled by the Russians in March 2022.

How Ukrainians Are Defending Their Cultural Heritage From Russian Destruction

The Smithsonian Cultural Rescue Initiative and its partners are aiding in the fight to protect the country's history and to document attempts to erase it

At the Natural History Museum, "Cellphone: Unseen Connections" opens June 23; at the Cooper Hewitt, Smithsonian Design Museum in New York City, "Give Me a Sign: The Language of Symbols" goes on view May 13; and "Ay-Ō's Happy Rainbow Hell" is part of the National Museum of Asian Art's centennial exhibitions, opening March 25.

Twenty-Three Smithsonian Shows to See in 2023

A rare Bible, George Clinton's colorful wig, Disney World history and Japanese ghosts debut this year

Philip Pearlstein (above in his studio, June 1971) was "unwaveringly interested in the landscape of the body,” says Stephanie Stebich, the director of the Smithsonian American Art Museum. 

Philip Pearlstein Painted the Naked Truth

Smithsonian curators remember the celebrated artist, who died last month at 98, and who viewed humanity with biting realism

This year's titles include I Was Better Last Night, Accidental Ecosystem and Winslow Homer: American Passage.

Smithsonian Scholars Pick Their Favorite Books of 2022

This wide-ranging list offers context for our rapidly changing world

“Dale Chihuly is one of the most important artists of the 21st century,” says Stephanie Stebich, the director of the Smithsonian American Art Museum, who is among the experts interviewed in a new documentary, "Master of Glass: The Art of Dale Chihuly."

The Unrivaled Legacy of Dale Chihuly

The pioneering glassmaker and octogenarian is the subject of a new Smithsonian Channel documentary

This month, Portraits, a podcast from the National Portrait Gallery, revisits "Finding Cleopatra," a Sidedoor episode with host Lizzie Peabody exploring the life of the artist Edmonia Lewis (above: a photographic portrait by Henry Rocher, c. 1890).

Cleopatra’s Iconoclastic Sculptor Was Her Own Kind of Queen

Smithsonian podcasts delve into the life of Edmonia Lewis, how astronauts sleep, the evolution of the human brain; and drop in on painter Kay WalkingStick

Albert “Kid” Mertz (above: Untitled, c. 1980) painted hundreds, possibly thousands of railroad spikes he had collected from tracks near his property, giving each spike a cheerful face.

The Allure of Self-Taught Art

SAAM’s new show “We Are Made of Stories” examines the 20th-century rise and creative vision of artists who make art without formal training

Edmonia Lewis circa 1870, photographed by Henry Rocher

After More Than 150 Years, Sculptor Edmonia Lewis Finally Gets Her Degree

A historian is fighting to honor the legacy of the 19th-century artist

In her new historic novel, Brooks reimagines the life of the itinerant artist Thomas J. Scott, who rendered the distinguished race horse in the oil painting, Portrait of Lexington, ca. 1857, a work that Smithsonian curator Eleanor Harvey describes as "visually riveting."

The Lost Story of Lexington, the Record-Breaking Thoroughbred, Races Back to Life

For her latest novel “Horse,” the Pulitzer-prize winning author Geraldine Brooks found inspiration in the Smithsonian collections

"This Present Moment: Crafting a Better World," featuring Alicia Eggert's stunning 2019-2020 neon sculpture, is on view at the Renwick Gallery of the Smithsonian American Art Museum.

The Craft World Is Undergoing a Democratization

In a new show at the Renwick Gallery, maker’s art is having a renaissance moment, with works that reveal powerful persistence and resilience

Edmonia Lewis' Death of Cleopatra was a sensation at the 1876 Centennial Exhibition in Philadelphia, among both admirers and those who found Lewis' depiction of the queen's suicide too macabre.

When Cleopatra Died Again

The artwork by Edmonia Lewis, the first African American sculptor in the classical mode, epitomizes her immense talent

One reader wonders if European modernists thought of the American painter Georgia O’Keeffe as a remarkable artist.  

Was Georgia O'Keeffe's Genius Appreciated Outside of America? And More Questions From Our Readers

You've got questions. We've got experts.

With every hope that Covid-restrictions will soon give way to happier times ahead, the Smithsonian museums in Washington, D.C. and New York City plan a bright year of grand new showings

Twenty-Two Smithsonian Shows to See in 2022

Falcon hunting, Watergate, a Kusama mirror room and the new Latino Gallery await

Wayne Thiebaud, Pies, Pies, Pies, 1961. Oil on canvas.

Getting a Taste of Wayne Thiebaud

An exhibit in California examines the full, delicious spread of the American artist's work

Dozens of Smithsonian Institution professionals share their favorite reads from this year.

Smithsonian Scholars Pick Their Favorite Books of 2021

The writings of many fine authors support the research and ambitious undertakings of an Institution rising to the challenges ahead

In "New Glass Now," at the Smithsonian American Art Museum's Renwick Gallery, works by 50 artists, including the hot-sculpted glass work of James Akers, (above: TThe Wild One (B), 2018) amplify the stunning advancement of the artform since the last major survey.  

Two New Shows Reflect the Shining Versatility of Glass

Thrilling innovations at the Renwick mirror SAAM’s exquisite historical survey of the Venetian masters and their influences

Conservators discovered this painting, Untitled (Virginia Summer), beneath another work by Gorky, The Limit (1947). The artist's relatives had previously noticed sections of The Limit peeling up at the corners, revealing bright blue paint below.

This Arshile Gorky Painting Spent 70 Years Hidden in Plain Sight

Experts discovered a sea-blue canvas by the Armenian American artist concealed beneath another one of his works on paper

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